The program was extended to include several additional skill-building classes and to space project deadlines out to enhance student productivity. The Academy makes the accelerated two-year schedule possible by creating an extended academic year, allowing students to complete three full-length semesters in each calendar year.
These workshop classes are anchored by lectures covering the fundamental principles of directing, screenwriting, and producing. Workshop classes are comprised of not more than mfa screenwriting and directing students and the emphasis is on hands-on, process-oriented creative work.
In the first semester, each student works on short scripts in screenwriting, and directs a 3—5-minute film in a directing class.
The culminating project of the first year is the creation of an 8—minute film. Several courses in the first-year curriculum help to generate and prepare these scripts for filming in the summer of the first year.
Additionally, every student must act as producer on a film other than the one he or she directs. The films are shot over the summer after the first year, and a critique of all the finished films begins the second year of study.
Students will also complete their first feature-length screenplay during the first year of study. Both second-year directing courses, Directing 3 and Directing 4, culminate in the creation of short films, adding to the portfolio with which the student eventually leaves the School.
The principal second-year screenwriting sequence, Screenwriting 3 and Screenwriting 4, requires the student to structure and write a feature-length screenplay, working with the same instructor and the same classmates for both semesters. Also in the second year, students interested in television writing may take an introductory television writing class in the fall semester, and television writing workshops in both the fall and spring terms.
Electives for the second year may include writing, directing, producing, and cinematography courses, courses in other programs at the School of the Arts, or throughout the University. Students planning to apply for teaching assistantships should take two HTC courses.
Students are asked to confirm their plans for thesis work by mid-year of the second year.
The Screenwriting program, a two-year Master of Fine Arts degree in Film and Television, encourages students to concentrate upon the challenge of writing a well-structured story inhabited by vivid, compelling characters. The Screenwriting program, a two-year Master of Fine Arts degree in Film and Television, encourages students to concentrate upon the challenge of writing a well . MFA in Screenwriting, USC’s School of Cinematic Arts Scott has written original film and television scripts for Sony, Universal, Warner Brothers, Touchstone, New Line, NBC and CBS. He has developed and sold projects with Michael Douglas, Barry Sonnenfeld and Kevin Costner, among others.
In the spring semester of the second year, students will be assigned an advisors from their chosen concentration and area of specialization, and that advisor will supervise all thesis work. All Screenwriting concentrates take Script Revision in their third year of study, and TV Revision is also offered for students doing television writing thesis work.
Screenwriting also offers elective courses such as Advanced Feature Writing and Advanced Pilot Writing, which are open to all students in the concentration. In addition to the thesis script s Screenwriting concentrates submit one of the following as part of their thesis work: During the thesis period from the third year onwards, students are no longer taking courses for credit, but they meet regularly with their advisors for intense developmental work on their thesis ideas, take thesis preparation classes, and may take master classes with guest filmmakers.
Topics regularly offered in master classes include television directing, directing the first feature, comedy workshops, pitching seminars, advanced editing, and film scoring. Shorter master classes are regularly offered by a range of internationally recognized screenwriters, television writers, directors, and producers.
MFA in Creative Producing The first-year courses include workshops in producing, directing, screenwriting, and directing the actor.
Studio classes are comprised of a maximum of 12 students and the emphasis is on hands-on, process-oriented creative work. The first semester culminates in a 3—5-minute film which each student writes and directs.
A critique of all the finished films begins the second year of study.MFA in Screenwriting, USC’s School of Cinematic Arts Scott has written original film and television scripts for Sony, Universal, Warner Brothers, Touchstone, New Line, NBC and CBS.
He has developed and sold projects with Michael Douglas, Barry Sonnenfeld and Kevin Costner, among others. The 25 Best Film Schools Rankings.
DEGREES Undergraduate degrees in screenwriting, directing, producing, directing, editing and sound, producing and screenwriting. MFA in film music. The mission of the Film MFA in Screenwriting/Directing is to rigorously train storytellers in film, television, and digital media.
The course of study at our film school includes two years of creative workshops and related courses, followed by one-to-three years of thesis and Research Arts work.
The MFA Film curriculum integrates intensive study in all the major filmmaking disciplines, including directing, cinematography, screenwriting, producing, and editing. Our film graduate program is for people who have the passion to plunge into full-time filmmaking, and to commit themselves to a focused and demanding curriculum.
The Screenwriting program, a two-year Master of Fine Arts degree in Film and Television, encourages students to concentrate upon the challenge of writing a well . MFA in Screenwriting from UCLA.
Written the features COME SIMI (Winner, Best Screenplay, Hollywood Reel Independent Film Festival, and Best Writing, Los Angeles Film Review ) and PALI ROAD (sold to Arclight Films at Cannes), and has written and directed THE LAST CIGARETTE.